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#18831 | |
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diyAudio Member
Join Date: Apr 2002
Location: Prague, Kitakyushu, Fukuoka
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Quote:
__________________
Pavel Macura http://www.linkedin.com/pub/pavel-macura/4/783/637 http://web.telecom.cz/macura/audiopage.html |
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#18832 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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PMA, my take on it is that it 'quaisi' voltage drove the complementary transistor darlington output stage, as the nominal drive Z was 100 meg ohm, was reduced to 1 meg ohm. I stand by my conclusions, until shown different. It is easy, not that difficult, especially when I came into electronic engineering in the '60's, when we believed in non-linear beta as the fundamental distortion contributor.
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#18833 | |
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diyAudio Member
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Quote:
__________________
Clay is embedded in our subconscious. It has been there for at least 50,000 years. |
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#18834 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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What a breakthrough! A more than 100 cancellation of the distortion, primarily at 60 Hz, in an IC with a 1 meg added internal load across the driver stage, AND a slight improvement in slew rate.
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#18835 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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Well, everyone, it is difficult to continue on this topic, there isn't much more to say, that can be said, unless somebody actually measures something. Sorry about that.
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#18836 | |
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diyAudio Member
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Quote:
it does not mean that any ic would benefit from such modification. I believe Scott's designs are very well optimized, so all attempts to improve them may screw down results of his efforts.
__________________
If I disappear suddenly, that means I finally created a time machine and pushed wrong button that brought me to Stalin's Russia. In any experiment any result is the result. Even if it is negative. |
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#18837 | |
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Previously: Kuei Yang Wang
Join Date: Nov 2002
Location: Somewhere nice on planet earth where censorship of Ideas is frowned upon
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Scott,
Quote:
Let us say we have a discrete OPA with 120dB DC Gain and 20Hz bandwidth with an SE class A output. Due to the vagaries of epectronic design the 20Hz bandwidth corner is modulated by around +/-2Hz over the whole swing of the OPA VAS. What is the effect in band for a 20Hz-20KHz bandwidth? Non-Linearity (whatever you want to call it) from bandwidth modulation. Now let us take the OPA and degenerate input by 20dB and VAS by 40dB (Yes, this will loose us output swing and increase noise, we may need more supply current, all no-no's in IC design, but "fair game" for audio). We will find we need to change our compensation to a much smaller one as well. We now have appx. 70dB DC gain (because the VAS operates in current input mode, and degenerating raises it's input impedance and thus the gain if the IPS) 70dB gain at 1KHz and even close to 70dB at 20KHz. There is no or very little bandwidth modulation, as the parameters that cause it are all stabilised much better due to degenerating the devices Gm. What is the in band effect? The previous distortion mechanism has disappeared and the whole amplifier behaves with an equivalent linearity to the above for other non-linearity factors. So, here we have a simple case where widening open loop bandwidth does help to remove sources of distortion without penalties elsewhere. No, but I had it, so why not use it? This article was written in a golden age in Britain where almost every little town had a Shop called "Maplin" who stocked Audio grade Op-Amp's, Philips Tinfoil & Polystyrene precision capacitors, SLA Batteries and chargers and even Velleman K4000 Tube Amplifier Kits (100W; 4 * EL34 per channel) and high grade Audax Speaker drivers including that legendary 34mm Dome Tweeter found in many a BBC Monitor. They even stocked cheap and good 10H Chokes... Next door was one called Tandy (Radioshack UK) who stocked other interesting speaker drivers and parts. Tandy closed shop ages ago, one of the local ones I knew is now a Betting Shop. The other Shop's are still there and are still called Maplin. The sortiment of electronic parts is rather dire nowadays, in part by company policy and in part by deletion of nice parts by their makers (and made worse by the company policy to stock 1pc of everything in the catalog, but only 1pc). The main selling items are PC Parts, Gizmos and Bedroom DJ Gear. Indeed a sad sight... Ciao T |
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#18838 | |
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Previously: Kuei Yang Wang
Join Date: Nov 2002
Location: Somewhere nice on planet earth where censorship of Ideas is frowned upon
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Hi John,
Quote:
The HA911 (what a fateful type number, did Harris [and Porsche] knew something back then - are they in on the conspiracy?) runs at very low currents. So connecting a resistor to the negative rail from the VAS collector will increase the VAS current. It will also introduce a fixed offset term that will force the input stage and VAS into a different balance closed loop. Without extensive analysis it is hard to be sure what changed and how (and I really don't have the time), but lowered distortion and increased slew rate are not that hard to predict in context, especially given the VAS transistor is a PNP one, at that time that was a complete POS. Of course, no doubt some will focus on how a resistor was attached to the VAS output node and nothing more, but doing so in this cases I believe misses the point. Ciao T |
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#18839 |
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diyAudio Member
Join Date: Aug 2006
Location: Taipei, Taiwan
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Power Amp with Hawksford VAS and EF triple here Audio Amplifier Design and Circuits | hifisonix.com. This is a practical running amplifer that I've been using since 2007. It was recently (October) modified from Cdom compensation to TMC and the VAS loading you see in the circuit was removed to raise the loop gain. I will post up the modified circuit some time - after I have completed my current project.
It does sound different, but I'll leave it at that for now until I have spent more time with it to form an opinion. BTW, re Cdom discussion earlier I was referring to local feedback around the VAS stage, not global feedback. Last edited by Bonsai; 8th December 2011 at 04:40 AM. |
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#18840 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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It would seem that fellow designers would rather 'critique' rather than come to understand something that would not be normally predicted. However, that appears to be what is happening here. Wavebourn, you could duplicate my test if you were so inclined. But apparently you would rather believe that it is irrelevant. So be it.
For the record, I have not used a Harris HA911 for anything useful for the last 35 years, but it WAS the best device at the time. Dick Burwen used selected units and put them in modules that he sold to Mark Levinson for the LMP-2 preamp, a professional mixer, and the LNC-2 crossover. Later, I designed lower current electronics to replace these devices. We used the audio mixer designed by Mark Levinson for the stage monitors for the Watkins Glen event in 1973 (approximately 500,000 people attended) and the roadies told me later that it worked just fine. Later analysis of a selection of devices showed a large range of open loop non-linearity with these devices, so hand picking them was a good thing. Still, I went back to discrete, comp differential jfet design for Mark Levinson and the Grateful Dead, and I have stayed with this sort of design until today, for my most exotic efforts. All I can ask anyone to do is to use IC's, beat me at my own game of audio design, and get rich and famous for it. Then, I will know that IC's have 'come of age' and I can concentrate on systems design in future. No excuses however, will impress me, if you fail. |
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