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#13031 |
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diyAudio Member
Join Date: Feb 2005
Location: The Hague
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Last edited by loek; 21st June 2011 at 09:28 AM. |
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#13032 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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So far, so good, but the 'essence is in the 'triangles'.
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#13033 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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We need more 'info' in order to define this design.
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#13034 |
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diyAudio Member
Join Date: Nov 2008
Location: Oakmont PA
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John the picture looks like SIP package op amps
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#13035 |
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diyAudio Member
Join Date: Feb 2008
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yep, I see the little buggers, and sockets no less.
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My Website: Hyperacusis, Tinnitus, My Story |
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#13036 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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I bet they are National.
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#13037 |
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diyAudio Member
Join Date: May 2011
Location: Little Rock
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Hi Ladies and Germans,
Although I'm still working my way through the 13000+ posts in Part Deux, I wonder if it's appropriate to present a circuit element derived from the famous John Curl "boxer" input stage. The circuit is a "boxer" second stage ("VAS" in op-amp speak) with its advantages, although I'm using a half circuit version for a phono equalizer. If interested, let me know, or if OT, also let me know. I've enjoyed these two threads enormously, and much, much thanks to all. Chris |
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#13038 |
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diyAudio Member
Join Date: May 2008
Location: Albany , NY (smallbany)
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Nope , toshiba custom SIP . Same as the JVC super A , custom manufactured for luxman. A good way to keep the IP secret ... put it in a proprietary IC.
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Mongrel website , always current and updated : http://www.fidelityforce.com/ostripper |
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#13039 |
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Previously: Kuei Yang Wang
Join Date: Nov 2002
Location: Somewhere nice on planet earth where censorship of Ideas is frowned upon
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John,
The Design is the same "Only Distortion Feedback" as the B1000. MJ had pretty extensive articles on this. The "Op-Amp" shown is actually no op-amp, but a discrete ciruit. The "forward" path of the Amp is a simple single ended 2-stage open loop BJT Circuit, driving one side of the output stage with high impedance. The "Op-Amp" only receives the extracted error, amplifies it suitably and applies it to the other side of the output stage. Both "Distortion feedback" and "Signal" are mixed at the input of the output stage. I personally would suggest that contrary to OSTrippers comments the design is quite unusual and interesting. I can see the possibility for it to provide better tradeoffs between "zero feedback" and "ton's of feedback" without attracting the undesirable side-effects of either... Ciao T |
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#13040 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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I am thankful for that. I would not liked to have been passed over by an IC chip. '-)
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