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#10711 |
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diyAudio Member
Join Date: Sep 2002
Location: Sacramento, CA
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Well, we've got measurements of an interconnect with a copper clad steel core which actually has signal flowing through it rather than something that's just in the vicinity.
No distortion there. At least nothing that can be seen above -145dB. se
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#10712 | |
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diyAudio Member
Join Date: Sep 2002
Location: Sacramento, CA
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Quote:
Try it yourself. se
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#10713 |
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diyAudio Moderator
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Always good to know where the barber gets his hair cut.
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If there's a sucker born every minute, where do the rest of them come from? |
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#10714 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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Darn, can't even engineer something without people putting out lies and mis-information, such as low Z driving an LED. '-) This doesn't work, folks.
Last edited by john curl; 6th March 2011 at 10:56 PM. |
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#10715 | |
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diyAudio Member
Join Date: Sep 2002
Location: Sacramento, CA
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Quote:
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#10716 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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Sorry everyone, I should have said PHOTOVOLTIC, rather than PHOTO (cell) in my original phrasing. I don't want to mislead anyone here, just convey a new idea. Gotcha, is a Steve Eddy trademark.
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#10717 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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Next time when I say 'transistor' SE can easily say: Bipolar or unipolar? And so it goes.
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#10718 |
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diyAudio Member
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Okidoki, how about this : http://www2.dupont.com/Photovoltaics...netsolar_1.jpg (for joyriding, better steal the one in the top right corner : +45mph Italian aluminum boat, called Adler)
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Not so much,.......if it says "ZM" in the corner. |
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#10719 | |
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diyAudio Member
Join Date: Sep 2002
Location: Sacramento, CA
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Quote:
se
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#10720 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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Moving on, I hope, to a more appropriate input.
I would like to talk, once more, about 2 stage phono design vs single or 1 stage phono design. We have discussed the 1 stage phono design in some detail, some months ago. It can be made very cheaply, and was the design standard from many decades. Marantz, Mac, and Dyna phono stages in the '50's and the '60's, used this approach. Later, the Audio Research and the Mark Levinson JC-2 also used this approach, in the 1970's. However, by 1980, many other phono designers started to use 2 stage design. This included: Electrocompaniet, the JC-80, Vendetta Research, and certainly many others. In most cases, the 2 stage approach, whether made with vacuum tubes, solid state discrete, or IC's, tend to sound better, all else being equal. You will find a tube design here, on this website, by SY, an excellent example of this design technique. Perhaps if you reviewed his preamp and the write-up around it, you would gather most of what you need to know about the 2 stage approach. (More later, if possible.) |
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