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#1001 |
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diyAudio Moderator
Join Date: Jun 2004
Location: Georgetown, On
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Hi John,
I guess I can try to generate other types of modulation, but here you will see a couple that will be very familiar to anyone working on the IF strip of an FM tuner. These happen to have been taken from a Marantz 2385 I was working on last year. Because the spectrum analyzer I'm using is a swept type (HP 3585A), it "sees" the results of sweeping the fundamental frequency back and forth at 1 KHz (in this case). The only way you could get something that looks like AM modulation is to capture the fundamental, and the high and low limits only. Otherwise, any sample or sweep will show many of the discrete frequencies as it does here. I'm not really sure what you did John, can you post what you are seeing? I downloaded and read the paper on TIM that pooge kindly posted a link to. It explained most of the questions I had with regard to the display under discussion. One thing I really wonder about in figure 5 where you have compared several op amps looking for dynamic intermodulation distortion. The one part that is missing that would seem to be a poster child for your beliefs. The LM318, speedster of the group. You could have really illustrated your preference for wide band open loop performance by including it in a 20 dB, feed forward configuration. I only ask because it is mentioned just before this comparison was made. Any reason to exclude this part? -Chris
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"Just because you can, doesn't mean you should" © my Wife |
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#1002 | |
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diyAudio Member
Join Date: Sep 2006
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Quote:
I'm guessing you are responding to my post. I agree, the levels of those blips are way too much to ignore, and should indeed be added into the TIM calculation. I'm just saying that they are not inharmonic and that they are not unexpected when hitting a 741 that hard. Cheers, Bob |
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#1003 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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Actually, Janneman, you DOCTORED with your own (unproven) input. But I won't complain at the moment, unless you are off by a few Hz, and even you are guessing. I have at the moment a FM modulated square wave on my test bench that makes virtually the same levels and frequencies of the glitches that you have named, yourself. I can't tell the difference. So, is it AM or FM that makes up the unmarked frequencies?
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"Condemnation without Examination is Prejudice" |
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#1004 |
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diyAudio Moderator
Join Date: Jun 2004
Location: Georgetown, On
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Hi John,
Same conditions as in your paper? -Chris
__________________
"Just because you can, doesn't mean you should" © my Wife |
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#1005 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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It is difficult to separate AM from FM in the graph by anyone, that can be absolutely proven, without completely emulating the test. I am not in a position to completely emulate the test at this time.
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"Condemnation without Examination is Prejudice" |
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#1006 | |
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diyAudio Member
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Quote:
But with that stuff you have on your bench you could have a strong argument for the FM case. If only you would get over the point of saying 'I have it!' and actually post some graphs, outline the measurement setup, levels, settings etc! We could talk about contents for a change. You know how that is done, you used to write AES papers, remember? (BTW If you need some help with the mechanics of posting those graphs or labeling them, just let me know. Only too happy to help out there. Really). jd
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/“If controlled, repeated tests come out the same again and again - that's Nature saying you're right" Meet me at Linear Audio |
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#1007 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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If I were you, I would check your assumptions more closely. I already have.
At this time, I maintain it is FM modulation.
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"Condemnation without Examination is Prejudice" |
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#1008 | |
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diyAudio Member
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Quote:
Anyway, does that mean you have no intention to provide anything tangible on this? Too bad. jd
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/“If controlled, repeated tests come out the same again and again - that's Nature saying you're right" Meet me at Linear Audio |
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#1009 | |
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diyAudio Member
Join Date: Jan 2004
Location: cambridge ma
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Quote:
As an asside I would experiment with a low frequency tri-wave of different slopes and high frequency tone. Since the tri-wave is constant slope it's "quadrature" is a DC level. This would allow a better exploration of the shape of the input non-linearity. Also the error signal in the presence of feedback is more seperable in the low vs high OLBW cases.
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"Every man is an artist" |
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#1010 | |
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diyAudio Member
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Quote:
jd
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/“If controlled, repeated tests come out the same again and again - that's Nature saying you're right" Meet me at Linear Audio Last edited by janneman; 6th September 2009 at 03:57 PM. |
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