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#10011 | |
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diyAudio Member
Join Date: Sep 2002
Location: Sacramento, CA
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Quote:
But so what? Most any instrument you care to name produces 7th harmonics. And 9th, and 11th, and 13th, 14th, 15th, and so on. But I don't see anyone saying these instruments sound like crap because they produce 7th harmonics or any other harmonics that are dissonant with the music scale. Maybe those who insist on only listening to music made with pure tones would have a problem with these harmonics. But beyond that, I don't see any particular merit to the argument. se
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The Audio Guild |
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#10012 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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7th can't be 'tempered' into the scale.
Quote without comment: re. piano tone "Even if the hammer were perfectly hard, the seventh harmonic could be eliminated entirely by allowing the hammer to strike the string at a point a seventh of its length from one end, this being a node for the vibration in question. ... " p. 92 'Science and Music' Sir James Jeans 1937 And guess how musical instruments are made? |
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#10013 | |
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diyAudio Member
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Clay is embedded in our subconscious. It has been there for at least 50,000 years. |
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#10014 | ||
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diyAudio Member
Join Date: Sep 2002
Location: Sacramento, CA
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Nor can the 9th, 11th, 13th, 14th, 15th, etc.
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This would, however, leave the ninth and eleventh harmonics fairly strong, their positional factors being 0.60 and 0.30 respectively. And to understand why they might want to suppress the 7th harmonic on a piano, look at the table on the previous page. It gives the energy distribution for the harmonics between the string being plucked and the string being struck. When plucked, the distribution follows the harmonic order, i.e. the energy diminishes as the order goes up. When struck, the distribution is even across the orders. That's also why the felt the hammers: This [felt] reduces the energy which goes into the higher harmonics, and so avoids the harsh jangle of sound represented in the bottom column of the above table. And of course this only relates to how piano makers want pianos to sound. The hammered dulcimer produces considerable amounts of higher harmonics yet it is still capable of producing beautiful music. Quote:
What's your point? se
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The Audio Guild |
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#10015 | |
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diyAudio Member
Join Date: Nov 2008
Location: Oakmont PA
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Quote:
You've seen this before the IM from 150 mv or so of 93.75 and 96 khz sine waves sourced by 100 ohms and terminated by a high impedance comparison of input to output of an RCA cable with cosmetic gold plated connectors. The 60 hz noise and harmonics don't really change but the IM does by about 10 db with direction. Yes it is at a very low level. But it is nicely repeatable. I've also attached just for no reason a shot of the input current to a 200 wpc class AB amplifier at full output. I just finished mod'ing my bench isolated AC outlet with a built in current monitor. (100mv/A FYI) Measuring the source impedance of outlets around my place they vary from .085 to .310 ohms. An IEC cord that came with a piece of gear was .185 ohms. ES |
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#10016 | |
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diyAudio Member
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Without further investigation in such a case of mis-termination I would expect moving the cable 2 or 3 inches in a noisy environment could cause the same effect.
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Clay is embedded in our subconscious. It has been there for at least 50,000 years. Last edited by scott wurcer; 21st February 2011 at 07:11 PM. |
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#10017 | |
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diyAudio Member
Join Date: Nov 2008
Location: Oakmont PA
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I don't exactly hide anything about it. J.J. has mentioned he has stopped by and seen it so I will drop his name. (Oh yeah I did do multiple runs switching back and forth and kept getting the same results) I have attached another image this time of 3 different cables so you can see what changes and what is lab trash. Any time you want to stop by, let me know. I will eventually get around to improving the instrument and at that time I'll make more than one. ES Last edited by simon7000; 21st February 2011 at 07:16 PM. |
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#10018 | |
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diyAudio Member
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__________________
Clay is embedded in our subconscious. It has been there for at least 50,000 years. |
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#10019 |
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diyAudio Member
Join Date: Nov 2008
Location: Oakmont PA
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Yes it is. It has to do with shielding and loop area. The best of that lot was a 6.25 silver wire jumper. The worst was a coil of braided 2m coax.
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#10020 | |
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diyAudio Member
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Out of respect to the claimants, I have spent an inordinate amount of time attempting to give claims of this nature benefit of the doubt, and I have thought of a way that line-level shielded cable directionality could be caused. Keep in mind, this is ONLY for siamesed line-level cables. Directional speaker cables (other than MAYBE litz types) make no sense no matter how you approach the idea. Having also worked at Madison Wire in Worcester, MA, I can tell you from experience that there is no definite orientation to adjacent lays of siamesed zip-cord cables, so how could a directionality be established? Which direction is which? If there is a grain orientation with diodic effects, it would be measurable as distortion, as many others have stated. If the preposition is that there is ACTUALLY a difference in a cable's performance in ANY respect when driven and loaded parallel or anti-parallel, it HAS to be due to an axial asymmetry. Analyzing the structure of a cable for non-axially symmetrical factors, the only one that comes to mind is shield lay in the case of a cable with a shield consisting of a uni-directionally laid helical series of wires (not woven braid or foil). I know of some otherwise very high quality cables like Mogami multi-channel snakes, where each twisted pair has a shield of this nature. In this case, and assuming that the individual strands actually oxidize (which they will), and ohmically decouple from the adjacent strands, the shield will then not approximate a cylinder, it will create a linear coil with a finite external field when current flows. If this is the case, depending on the orientation of the helix on adjacent cables, there could be mutual coupling between these two linear solenoids' external fields. This coupling would be maximized when the helixes were in the same orientation, and potentially nulled (depending on the pitch of the helix) when they were opposite orientation. I would be interested in seeing tests of line-level cable with different shielding types to see if this is indeed the case. I would do it but for time... Howard Hoyt CE - WXYC-FM 89.3 UNC Chapel Hill www.wxyc.org 1st on the Internet |
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