John Curl's Blowtorch preamplifier part II

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Worrying about travel to a place before some aspect of the area changes is a loosing battle. I went to Stonehenge before it was fenced. I climbed on the stones... So now that can't be done - What ya' gonna' do? It's like saying "I wish I went to Hawaii before it was a state." It's changed, that's it! - No more wild weed growing on the foothills free for the taking. Life goes on.
 
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I was feeling quite uneasy that I was the only one to report transistors singing.
But now three participants (jneutron, PMA, RNMarsh) confirm it.

I’ll stop looking my face on the mirror watching for signs. :D
I guess their experience was with the devices on the bench under high drive.



I am not sure about this. The necessary condition is that the device is fixed to the heatsink, and the whole thing is most audible (resonates) at several kHz, close to 10 kHz.

Pavel , ref “necessary condition”
Fixing the device to a metal heatsink, will have some effects:
1. Lowers the frequency of vibration due to added mass, i.e. shift noise spectrum toward frequencies that ear is more sensitive to.
2. Increases the vibrating surface, making sound emission more efficient.
3. The edges of the heatsink cooling fins emit mid to high frequency sound very well.

Some damping from the aluminum (material of the heatsink) itself can be provided.
I find that instead of using silicon paste, the elastic thermal pads between the device and the heatsink, in combination with attaching bolts made of soft material (bronze or plastic instead of steel) and not much torque, provide needed additional damping.
Care on the area where the heatsink attaches to the metal case of the equipment is important. I apply a bead of silicon thermal conductive pad at the mating surfaces before fastening.

In addition to these, rounding off all the fin edges with a fine file and applying a bead of hot silicon glue there, also helps.

TO 247 sing with resistive load as well, this is normal.

Normal? :confused: What is normal?
Do you remember the scene on the movie with Igor and Dr. Frankensteen?


George
 
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I have read of thermal expansion coefficient mismatch causing "oil-canning" motion in T0-3 cans

but these thermal expansion based motions are not technically piezoelectric and not "reciprocal" Handbook of Acoustics - Malcolm J. Crocker - Google Books

doped Si in chips is also not piezoelectric - it can be piezoresistive, the resulting Vos modulation by package strain is discussed in Av 4000x strain gage amplification

jcx
Thermal expansion (not reciprocal) is another factor of signal - related vibration transmission.
Piezoresistivity (not reciprocal) is another microphony factor to consider.
Thank you for helping feeding the pile.;)

Crystalline silicon (centro-symmetric) is not piezoelectric. I could not find if doped silicon (P, N lands) is piezoelectric. I asked Scott and in plain words he said yes.

Of course, but them you have to excite the mechanical "circuit", that tiny slab of silicon needs a LOT of force to create the strain.

Plain words I understand.
I can’t understand though if Scott means piezoelectricity too here:

and got about 250uV Vos delta on an ordinary JFET op-amp with a titanium needle directly scratched across the surface.

George
 
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But for a bonded to substrate chip, the acceleration needed to modulate any parameters of the chip would flow the metal it's mounted to.


So, both you (acceleration) and Scott (force) agree (F=ma) that this tinny mass can’t do it or be affected by it to any reasonable extent. I am confident you know enough to say so. :)



I've heard TO-3's sing when driving a resistive load.
It's the emitter wire bond wire vibrating due to Lorentz forces.

The high harmonic content does make it hearable. Been there, done that. But it's generally the result of conductor movement due to Lorentz.
jn

Thank you for the explanation. This can apply also to wirewound emiter resistors of output transistors, no?



I risk to say that Lorenz force fits as an answer to question no. 1 of the post linked below.
Can you have a look please and comment when time permits?

And now it’s a good time for some cascaded speculative questions.:whacko:


George
 
Plain words I understand.
I can’t understand though if Scott means piezoelectricity too here:



George

In most cases it's strain guage effects, i.e. the channel of a FET has a change in Idss or a diffused resistor gets a delta R. There is a wonderful paper from RCA with a 3D mathematical (not simulation) solution for one of their first NTSC color matrixing chips. I have a copy buried somewhere, you would really like reading it if this topic is of interest. The stress between die and lead frame of some die mounting processes (after cooling) are quite substantial.

jneutron is right, imparting actual strain on a die by shaking the package would require enormous G forces. I hope I have correctly communicated the difference between stress and strain, it is very important. The strain (the actual bending of the die in response to stress) is what is important.
 
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Yikes... folded?! I put mine in tube rolled up. But forget the tourist towns like Beijing. Go to XIAN.... up near Mongolia. No one goes there and you will get the best artists at the best price. I find the most unusual and best work from Monks and others in remote areas. Northern Laos is good too. Met a Laos-born Canadian there - studying to be a monk - he had just returned from his art show in hong kong.... Thep Thavonsouk. See Asian Art News magazine, if you dont already get it. -RNM

Yes some of the 1000 yr. old masterpieces at the MFA in Boston were at one time folded. You have to realize that the original work is on "rice" paper (actually a very special mulberry bark) it is very thin and you (believe it or not) completely wet the entire painting and relax it before mounting it on backing paper with pure wheat starch paste. Not a single artifact of the folding is visible after drying, though at the midpoint of the process the entire painting is incredibly vulnerable to total destruction. The guys in the back room using flat irons and dry mounting paper you see now is just "modernization".

EDIT - Shanghai and Beijing are Analog offices, never look a gift horse in the mouth, just fill it with stinky tofu. :)
 
When the AD585 S&H was characterized it took weeks to find out that the 2pF package parasitic in parallel with the external cap had so much DA it dominated the error budget.

I designed in that part together with the AD7672 12bit ADC back in the mid 80s. Had a little curiosity that it came in a ceramic package - was that intentionally chosen for lower DA of the parasitic?

Word on the street is that the best stinky tofu is to be found in Shaoxing, about an hour's bus ride from here.
 
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Yes some of the 1000 yr. old masterpieces at the MFA in Boston were at one time folded. Not a single artifact of the folding is visible after drying, though at the midpoint of the process the entire painting is incredibly vulnerable to total destruction. The guys in the back room using flat irons and dry mounting paper you see now is just "modernization".
/QUOTE]

I guess they didnt have postal hard cardboard mailing tubes a thousand years ago. but, no reason to use thousand year old method now and risk destroying it. Even small risk. oh well. let me know next time you are in China and i'll meet you somewhere.... maybe on the silk road. Will be in S.E.Asia this October-Nov.
 
I designed in that part together with the AD7672 12bit ADC back in the mid 80s. Had a little curiosity that it came in a ceramic package - was that intentionally chosen for lower DA of the parasitic?

Word on the street is that the best stinky tofu is to be found in Shaoxing, about an hour's bus ride from here.

You guessed it, I hear the stinky tufu tripe sandwitch is "real man's" food. IIRC Zimmern could not get it down, and he was in your neighborhood. Didn't phase me, nor does natto.
 
Jitter of a CD pit-track is NEVER directly audible.
The key word here is "directly", it's the indirect ways that cause the audible problems. Meaning, that if the disk is made in, physically subtle, different ways from another, digitally identical, disk then the CD player will have to work harder electrically, or differently, to cope with one disk versus the other. This will mean that the pattern of current draw pulses from the power supply will vary, altering the the level and spectrum of interference effects upon the analogue circuitry within the player and likely also impacting connected equipment.

Unless, of course, you believe in perfect power supplies and the distribution of their product ...

Frank
 
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The key word here is "directly", it's the indirect ways that cause the audible problems. Meaning, that if the disk is made in, physically subtle, different ways from another, digitally identical, disk then the CD player will have to work harder electrically, or differently, to cope with one disk versus the other. This will mean that the pattern of current draw pulses from the power supply will vary, altering the the level and spectrum of interference effects upon the analogue circuitry within the player and likely also impacting connected equipment.

Unless, of course, you believe in perfect power supplies and the distribution of their product ...

Frank

That would be the signature of a poorly engineered product, IMO.
 
In my opinion you can't say for sure whether its poor engineering unless you know what the original constraints were. 'Was the customer still happy with the result, at the price?' is not mentioned here for example. IMO over-engineered is just as much poor engineering as under-engineered.
 
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That would be the signature of a poorly engineered product, IMO.
I would suggest that there's engineering, and then there's engineering. In the first instance, that which is sufficient to meet accepted standards of performance, and then a "higher" level which can produce a performance, which for those people who are sensitive to those subtleties, is superior. The sort of thing that "audiophiles" have been ranting on about for ages ...

The analogy with car performance is obvious, a good engineer will design a vehicle that is competent at 100mph, that will satisfy most people. Yet, some drivers will yearn for one that can be flung around in outlandish ways at those sorts of speeds, and be proficient doing so. A notch up in attention to detail is necessary for that ...

So, IMO, it is not a case of good vs. poor engineering; rather that which is "good enough" in the commercial world, and that which is aiming to deliver the goods no matter what sort of test is applied to it ...

Frank
 
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Well abraxalito, I can understand that you can attempt to fault the CTC Blowtorch as to being 'over-engineered' and perhaps we could have saved some money ignoring one thing or another, hoping that it would not be missed. However, in MY experience, I don't know what to compromise AND get the same sonic results.
We could have made it with a cheap steel case that looked almost the same on the surface, used IC's (good ones) and relays. Many do that, already, yet do they get the same results? Maybe close enough for you! '-)
 
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