Beyond the Ariel

Playing around with interconnects, power cords, or power conditioners does not address the fundamental design flaws of most audio equipment.

The biggest "design flaw" is the AC safety ground, which is the single most common cause of interchassis leakage currents and the resultant noise.

Sadly, the vast majority of high end audio manufacturers haven't figured out how to design equipment chassis to meet Class II (i.e. double insulated) specs. So they burden their customers with safety grounded equipment chassis.

And even in those instances where the design might actually meet Class II specs, they still typically fit them with three pin IECs with the safety ground attached to the chassis.

Say what you will about mass market audio manufacturers, but at least they know how to design chassis to Class II specs and don't burden their customers with AC safety grounds.

For any of you using a cable box that is connected to a home-theater setup, you need an isolator for the cable coming into the cable box - cable grounds are notoriously dirty.

It's nothing to do with cable grounds being "dirty." It's that the cable system is earth grounded at a different point than the AC mains which gives rise to the same noise-producing interchassis leakage currents that are brought about due to the AC safety ground.

Oh, and for what it's worth, a literal earth ground has absolutely no relevance whatsoever to an audio system.

se
 
We didn't audition commercial cables - no real interest in them, and without disassembly, no way to be sure what's inside anyway. Instead, we compared various strands of Litz wires with cotton insulation, going from 1 strand, to 2, 4, 8, 32, and 64. Since this was a balanced, line-level interconnect we were comparing, I wasn't expecting to hear much difference at all - the linestage had oodles of current to drive the modest cable capacitance, and all we were comparing was various types of Litz wire.

To my surprise, as the strand count went up, the sound become quite noticeably more coherent and focussed (no tonal difference). Single-strand, in several different gauges, sounded diffuse and incoherent. Two strands, a bit more focussed, four strands, more so, and things leveled out beyond 32 and 64 strands. Rather counterintuitive.

I've been using cotton covered litz for some time now with very good results.

Are you just making your own litz by bundling up strands of enameled wire? It seems like it given the even number of strands (most all stranded wire including litz uses an odd number of strands).

Have you ever tried a proper Type 2 litz?

Type 1 uses a simple bundle or twist. And while litz wire is commonly associated with ameliorating skin effect, Type 1 litz does nothing in this regard and is fundamentally no different than uninsulated stranded wire as the individual strands tend to maintain the same radial distance from the center from end to end so you still end up with higher current densities in the outer strands compared to the inner strands as frequency increases.

Type 2 litz takes multiple bundles of twisted wires and twists those together in a "rope lay." The result of this is that on average along the length, each strand occupies every radial position from the center so that the current density is the same in each of the strands and this is what ultimately ameliorates both skin effect and proximity effect.

What I ended up choosing was a Type 2 litz wire made up of 165 strands of 46 gauge wire in a 11/5/3 configuration, meaning it starts out with 11 strands twisted together, then 5 bundles of those are twisted together, and then 3 bundles of those are twisted together.

I cover the litz with cotton braid and then braid four strands of it together and pair them up at the ends per Milloit's 1958 patent (2,958,724).

I don't know just how significant skin and proximity effect are for audio frequencies, but with this fine stranding and twisting arrangement, it's virtually non existent. It sounds wonderful and nearly as much as anything else, I love the extreme flexibility that if offers.

If you'd like some to play with, shoot me a PM. I have an order coming in next week and about a 20-30 foot remnant on the old spool I'd be happy to send you.

I don't see any reason why a simple twist, or maybe a braid, with a mostly-air dielectric like cotton sleeving, can't be a simple and effective way to make a cable.

Works for me. :D

And I'd go quad braid over twist. It provides greater self-shielding over a twisted pair or twisted quad (i.e. Starquad), it's self-constraining, and has excellent inductive and capacitive properties.

The holy war against inductance in speaker cables strikes me as really weird, since tweeters have plenty of their own inductance, and this cannot be removed from the tweeter.

Not so weird when you think about it.

The inductance is a series element so it effectively increases the source impedance as seen by the tweeter which can cause some high frequency rolloff.

se
 
The biggest "design flaw" is the AC safety ground, which is the single most common cause of interchassis leakage currents and the resultant noise.

Sadly, the vast majority of high end audio manufacturers haven't figured out how to design equipment chassis to meet Class II (i.e. double insulated) specs. So they burden their customers with safety grounded equipment chassis.

And even in those instances where the design might actually meet Class II specs, they still typically fit them with three pin IECs with the safety ground attached to the chassis.

Say what you will about mass market audio manufacturers, but at least they know how to design chassis to Class II specs and don't burden their customers with AC safety grounds.



It's nothing to do with cable grounds being "dirty." It's that the cable system is earth grounded at a different point than the AC mains which gives rise to the same noise-producing interchassis leakage currents that are brought about due to the AC safety ground.

Oh, and for what it's worth, a literal earth ground has absolutely no relevance whatsoever to an audio system.

se
I quite agree. The so called safety ground does not really ground the way it works on paper. If it did, Y caps would not need to have limited size. I've been trying to look for two prong chassis mounted power connections that can have the same current rating as the three prong connectors. Seems that there are none that are commonly used. Probably this is why high end audio manufacturers use the three prong devices.
 
I quite agree. The so called safety ground does not really ground the way it works on paper.

Right. It's only a "ground" in the sense that it's a return path for fault current.

In the US, the safety ground's connected to the equipment chassis and feeds back to neutral at the service panel. In the event that the chassis goes "hot" due to a failure, the safety ground provides a path back to neutral and hopefully keep the chassis potential to non-lethal levels.

If it did, Y caps would not need to have limited size.

And the reason for that is precisely why I say that the safety ground is a "design flaw" when it comes to keeping noise levels low.

The safety ground is typically in rather close proximity to the AC hot lead. This results in capacitive coupling between the two and subsequently chassis leakage currents.

If the voltage drops due to the impedances of the power cords are not equal, then it results in a potential difference between equipment chassis. And if the component's signal grounds are tied to the equipment chassis you end up with current flowing through the grounds of the cables interconnecting them. Since the ground leads will have some amount of resistance, there will be a voltage drop across it and this is seen by the input of the downstream component.

Y caps are kept to a limited size to keep leakage currents low.

I've been trying to look for two prong chassis mounted power connections that can have the same current rating as the three prong connectors. Seems that there are none that are commonly used.

The IEC 320 C17 and C18 connector pair are two prong and rated for the same 10 amps of current as the more ubiquitous three prong C13 and C14 pair.

The C18 inlet is easy enough to find, but user replaceable C17's might not be so easy to find.

Of course you can simply eliminate the IEC connector entirely and use a captive cord. But that would probably cause the manufacturer to lose sales. :D

Probably this is why high end audio manufacturers use the three prong devices.

Perhaps. I have some other theories, but I'll keep them to myself. :D

se
 
No reason I can't try the Electron Pools right away, letting it dangle from the speaker inputs of the Ariels. The resolution of the Marantz is so much lower than the all-triode 2-channel system, I wonder if it will be audible. No harm in trying.

Once you find some time and interest in doing these audition I'd be interested in your findings comparing Electron Pools with simple "termination" of speaker cables at the chassis side.


PB276662_2.JPG



'No more than a simple connection to the top and / or bottom plate of the speaker is needed.
With respect to the zero cost and the little effort required, I found this cute little trick pretty rewarding in my SS-amp setup.
:)

Michael
 
Once you find some time and interest in doing these audition I'd be interested in your findings comparing Electron Pools with simple "termination" of speaker cables at the chassis side.


PB276662_2.JPG



'No more than a simple connection to the top and / or bottom plate of the speaker is needed.
With respect to the zero cost and the little effort required, I found this cute little trick pretty rewarding in my SS-amp setup.
:)

Michael
This had been posted many years ago in this forum. It works like a charm to me, but it does not seem to have any audible effect to some others. I think this is related to design and performance of the driver.
 
This had been posted many years ago in this forum.

Yea, here for example:

http://www.diyaudio.com/forums/parts/102180-groundside-electrons-5.html#post1759249

any other places?


It works like a charm to me, but it does not seem to have any audible effect to some others. I think this is related to design and performance of the driver.


Well, thought I bring it up again in case we possibly get some further "anecdotal reference" from Lynn or others, as it fits somehow to the discussion about grounding, shielding, potential differences, antenna effects, lines and its distributed R C L components.


Michael
 
'No more than a simple connection to the top and / or bottom plate of the speaker is needed.
With respect to the zero cost and the little effort required, I found this cute little trick pretty rewarding in my SS-amp setup.
:)

Michael

I found the same thing independently a couple years ago. I was hearing a faint radio station pick up on one speaker. The system was multiamped. This speaker was powered by a SS amp. I surmised that the speaker cable was acting as an an antenna, and interacting with the amp via the feedback path. Simply touching, or even moving very close to the speaker frame or phase plug, stopped the interference. Connecting the common side to the speaker basket also solved the problem. Didn't try the other terminal.

The affected speaker was on the other side of the room from the amp - though the cable length was the same for both channels. I never tried long interconnects and short speaker cables.

Sheldon
 
There are two "isolation" types of transformers. One is for isolation of medical equipment that is patient connected and has specific activities performed on it, like being potted in a plastic container, to limit the surface currents and voltages to below 5 mv. These are not necessarily shielded from capacitive coupled noise in the power line. This is Hospital grade shielding.

There is a variant of this that has a copper shield wound between primary and secondary for a 70db reduction in capacitive coupled noise from the power grid. These are also potted and have other activities performed for the 5 mv limits on surface voltage. These are Hospital grade data safe units.

Then there are noise isolation transformers that can allow as much as 250 mv of surface voltage to propagate. They will have a copper shield, for 70 db of noise rejection above 250 Hz, or they will be wound in adjacent wells for 80 db of noise rejection. Another level of this is adjacent windings, with the secondary winding section painted with copper conductive paint, over a stranded wire that has been glued up the bobbin wall. An insulated turn copper shield with drain wire is placed before and after the winding and the painted copper drain wire is connected to the inner shield. These also have a copper strap around both core and coil, oriented in the same direction as the coil windings and placed over a high permeability ferrous metal shield wrapped tightly around the core perimeter and extending beyond the edges of the core stack by 0.050 inch on either side. This is a studio grade isolation transformer and if it is also potted in a plastic container, it can be used in situations where coupling to any chassis material is prohibited, since the surface voltages will be below 5 mv. The flux density of these transformers must be kept below 8 k gauss for all of the above to work properly. The result is better than 100 db of isolation for air borne, circuit borne or surface borne noise.

These are all E/I transformers. I use a 1.7 kva Hospital grade Data safe isolation toroid, with a common mode rejection toroid in front of it to keep DC from the isolation toroid, to isolate my system from the power grid. Mostly because it was free, provided by dumpster diving at Fluke, and would conveniently fit on a shelf, in a box with required outlets, and was built by someone else. An equivalent E/I device, with all bells and whistles, would be immense, hot and physically noisy, unless potted in a material specifically designed for noise abatement, typically with a Reynolds number lower than 30 and ideally with a gradient to it's hardness.

I still have noise in my drivers, but it is 80 db down, with 95 db efficient speakers and so I can pretend it isn't there and that I don't care about it etc. Part of this noise comes from the power transformer in the Nikko SS preamp I am using and I will eventually build another power transformer to get rid of it. Power line junk is no longer a problem and a galvanic isolation transformer between the pre and power amp does isolate the pre amp power transformer noise from the speakers, leaving only the power amp power transformer needing to be changed out. I don't particularly care for the sound of the isolation transformer, or any others I have either borrowed or built, so I just don't stress about the noise I have.

Bud
So it seems hospital grade transformers are not favorable for audio according to you experience? Sure. Hospital grade stuff addresses the frequency above the audio spectrum, but what I gather from you long explanation, the required aspects for good audio reproduction are not considered.

My experience of noise in a listening room is that noise measured at the terminals of the driver is about 70~80 db down from 2.5V, except for 60Hz and 120Hz, which seem to be electromagnetically coupled.
 
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Note that the full solution for noise reduction is quite expensive: choke-fed supplies, medical-grade high-isolation power transformers, and transformer-isolated balanced interconnects between all components. Jensen will gladly sell you studio-grade isolation transformers, but redesigning power supplies in commercial audiophile equipment is no small task.

Playing around with interconnects, power cords, or power conditioners does not address the fundamental design flaws of most audio equipment. In practice, it is "good enough", but that is a long way from designing for the lowest possible noise level in a complete system.

Bill Whitlock's paper is an excellent starting point for addressing system-wide noise. For any of you using a cable box that is connected to a home-theater setup, you need an isolator for the cable coming into the cable box - cable grounds are notoriously dirty.

Choke input PS filtering is not really practical with Class AB amps. The large change in current is not conducive to choke selection.

Jensen input transformers are GREAT for reducing hum-generating ground loops. However, standing DC base input currents to bipolar input amps are not desirable for transformer cores. FET input do not have this disadvantage. High beta transistors also help if bipolar. Also, the DC resistance of the input transformer's secondary shunts the amp's input resistor, which upsets the DC offset of the amp, as well as input noise optimization. Therefore, the feedback network has to be changed, and likely forces the removal of the shunt cap for DC balance. Alternatively, a series cap on the input, after the transformer, would be needed. Therefore, you can't just plop an input transformer ahead of any amp without concideration of the circuit. But when done right, NO hum at all!

Lynn, in your "solutions" to minimize stray capacitance, you failed to mention the free and very beneficial approach of simply reversing the PS leads to the transformer primary. While your amp is connected to the cheater plug, measure the AC voltage from the chassis to the ground on the socket. Reverse the cheater plug (if it is not polarized) and measure again. One direction will have less voltage measured than the other. Use that arrangement. I have found an order of magnitude difference. Reverse the primary leads in the amp, if necessary. If you don't want to go inside the amp, then reverse leads at the plug.
 
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It's nothing to do with cable grounds being "dirty." It's that the cable system is earth grounded at a different point than the AC mains which gives rise to the same noise-producing interchassis leakage currents that are brought about due to the AC safety ground.

Not really. All grounds are grounded at the service entrance (same place) by code. The issue with cable grounds is that a potential ground loop is created from the cable box, back to the service entrance, and through the branch wiring to the amp(s). If the cable box is conductively coupled to the amp(S) via another lead, such as by audio out from your cable box or TV to your hifi equipment, a VERY large ground loop is created.
 
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